
Friday, June 19, 2009
Wednesday, June 17, 2009
Covering Tehran
New York Times, LENS
On Assignment: Covering Tehran, By David W. Dunlap
Lens is the photojournalism blog of The New York Times, presenting the most interesting visual and multimedia reporting — photographs, videos and slide shows.
A showcase for Times photographers, it also seeks to highlight the best work of other newspapers, magazines and news and picture agencies; in print, in books, in galleries, in museums and from around the Web.
http://lens.blogs.nytimes.com/2009/06/17/assignment-2/?partner=rss&emc=rss
On Assignment: Covering Tehran, By David W. Dunlap
Lens is the photojournalism blog of The New York Times, presenting the most interesting visual and multimedia reporting — photographs, videos and slide shows.
A showcase for Times photographers, it also seeks to highlight the best work of other newspapers, magazines and news and picture agencies; in print, in books, in galleries, in museums and from around the Web.
http://lens.blogs.nytimes.com/2009/06/17/assignment-2/?partner=rss&emc=rss
Images "In, Out & About the BOX"
Tuesday, June 16, 2009
Virtual World Social Networking... AT ITS BEST!

Iranians are blogging, posting to Facebook and, most visibly, coordinating their protests on Twitter, the messaging service.
Their activity has increased, not decreased, since the presidential election on Friday and ensuing attempts by the government to restrict or censor their online http://www.nytimes.com/2009/06/16/world/middleeast/16media.html?partner=rss&emc
Social Networks Spread Defiance Online - NYTimes.com
Source: www.nytimes.com
Social media sites are challenging levers of state media control and allowing Iranians to find novel ways around restrictions.
Their activity has increased, not decreased, since the presidential election on Friday and ensuing attempts by the government to restrict or censor their online http://www.nytimes.com/2009/06/16/world/middleeast/16media.html?partner=rss&emc
Social Networks Spread Defiance Online - NYTimes.com
Source: www.nytimes.com
Social media sites are challenging levers of state media control and allowing Iranians to find novel ways around restrictions.
Monday, June 15, 2009
HOT, HOT COMMUNICATIONS
The BURNING MAN Network* Official Burning Man web site
http://www.burningman.com/
* BURNING MAN - Desert Geckos Reptile Dysfunction Playa Experience 2009
* Burning Man Blog
* The Official Burning Man Facebook Page
* Official Burning Man Twitter Account - All Things Burning Man
'Binh Danh: In the Eclipse of Angkor'
Live-leaf photos imprint horror of Khmer killings by Richard Nilsen
'Binh Danh: In the Eclipse of Angkor'
Lisa Sette Gallery, 4142 N. Marshall Way, Scottsdale. Through June 27.
In 1388, the Mongol conqueror Tamerlane ordered several pyramids of 40,000 human skulls each built in the conquered Persian city of Isfahan, made from the heads of those his army had decapitated. Ten years later, he had 100,000 beheaded in the sack of Delhi.
When we read about such things, the stories seem more like legends than history. The numbers can never be verified. But the murder of more than a million Cambodians by the Khmer Rouge in the late 1970s can be: They left pictures of those they killed, photographed like mug shots, often tagged with names and dates, as documentation.
Vietnamese-American artist Binh Danh has taken some of these haunting images and given them new life in his current show at Lisa Sette Gallery. He prints the negatives of the photos on living plant leaves, in a process he calls chlorophyll printing.
Full review at: http://www.azcentral.com/thingstodo/galleriesmuseums/articles/2009/06/12/20090612danhrevu0614.html
'Binh Danh: In the Eclipse of Angkor'
Lisa Sette Gallery, 4142 N. Marshall Way, Scottsdale. Through June 27.
In 1388, the Mongol conqueror Tamerlane ordered several pyramids of 40,000 human skulls each built in the conquered Persian city of Isfahan, made from the heads of those his army had decapitated. Ten years later, he had 100,000 beheaded in the sack of Delhi.
When we read about such things, the stories seem more like legends than history. The numbers can never be verified. But the murder of more than a million Cambodians by the Khmer Rouge in the late 1970s can be: They left pictures of those they killed, photographed like mug shots, often tagged with names and dates, as documentation.
Vietnamese-American artist Binh Danh has taken some of these haunting images and given them new life in his current show at Lisa Sette Gallery. He prints the negatives of the photos on living plant leaves, in a process he calls chlorophyll printing.
Full review at: http://www.azcentral.com/thingstodo/galleriesmuseums/articles/2009/06/12/20090612danhrevu0614.html
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